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[无中字原盘] [自娱自乐 + 性工具 + 性爱车库][美版原盘 无中字][L.A.Plays.Itself.1972.and.Sextool.1975.and.The.Sex.Garage.1972.1080p..Blu-ray.AVC.DTS-HD.MA.1.0][46.39GB] |
 ◎片 名 LA Plays Itself ◎年 代 1972 ◎产 地 美国 ◎类 别 情色 / 同性 ◎语 言 英语 ◎上映日期 1972-04 ◎IMDb评分 6.3/10 from 146 users ◎IMDb链接 https://www.imdb.com/title/tt0249670/ ◎豆瓣评分 /10 from 0 users ◎豆瓣链接 https://movie.douban.com/subject/10486488/ ◎导 演 Fred Halsted Fred Halsted ◎编 剧 Fred Halsted Fred Halsted ◎简 介 The film opens on a shot of the "Los Angeles City Limits" sign. It then cuts to Fred Halsted taking a walk in the forest and coming upon a man sunning himself in the nude. They briefly talk and end up having passionate sex in the wilderness only to be interrupted by bulldozers destroying the wildlife area in order to build a new suburb. The film suddenly switches to inner city Los Angeles as Halsted and a man from Texas discuss in voice over the problems with modern society and the dishonesty of most people. This is inter-cut with shots of hustlers, bums, vagrants, porn theaters and shops, as well as footage of a man (presumably the Texan) being brutally tortured by Halsted. Eventually the man is bound and left helpless in a closet, a symbol of the violent and trapping nature of Los Angeles. The film ends on shots of newspapers saying that a young man was found dead after being tortured.
◎译 名 性工具 ◎片 名 Sextool ◎年 代 1975 ◎产 地 美国 ◎类 别 情色 ◎语 言 英语 ◎上映日期 1975-03(美国) ◎IMDb评分 5.8/10 from 41 users ◎IMDb链接 https://www.imdb.com/title/tt0257158/ ◎豆瓣评分 /10 from 0 users ◎豆瓣链接 https://movie.douban.com/subject/34960231/ ◎片 长 60分钟 ◎导 演 Fred Halsted Fred Halsted ◎主 演 Fred Halsted Fred Halsted ◎简 介 作为有史以来最雄心勃勃、最不成功的情欲电影之一，其的制作历史充斥着几乎与电影本身一样多的被驱除的欲望。凭借LA Plays Itself的成功获得资助，Halsted 的下一个主要功能旨在成为艺术市场市场的跨界成功。霍尔斯特德用过期的 35 毫米胶片拍摄了大部分影片，希望能获得更广泛的发行，但很快这部电影就被艺术电影市场认为不可行。好莱坞记者恐同和可怕地将其归类为“残忍、恐怖……人们可以想象纳粹集中营指挥官为了他们厌倦的娱乐而委托制作的那种电影。” 四十年后，这部电影从一个根深蒂固的肌肉组织时代开始播放，令人惊讶地进步。霍尔斯特德认为这部电影带有性政治色彩；他在一场高档派对上建立了激烈的 BDSM 序列（包括与他的情人乔耶鲁的一些）和跨性别女性和变装皇后之间的视觉对话。威廉莫里茨，在娱乐西部写作，敏锐地观察到霍尔斯特德愿景中的细微差别：“社会强加给同性恋者的异性恋、中产阶级的婚姻和道德观念被打破和放逐。表演者不是直接演出中的女性那样可以使用和丢弃的性“对象”，而是性“工具”，是发挥幻想的工具，是实现梦想的工具。” 以新的 4K 保存呈现，由 MoMA 的档案 35 毫米打印重建。该功能之前还将有原始的 16 毫米拖车。
◎译 名 性爱车库 ◎片 名 The Sex Garage ◎年 代 1972 ◎产 地 美国 ◎类 别 情色 / 黑色电影 ◎语 言 无对白 ◎上映日期 ◎IMDb评分 6.5/10 from 75 users ◎IMDb链接 https://www.imdb.com/title/tt0257143/ ◎豆瓣评分 /10 from 0 users ◎豆瓣链接 https://movie.douban.com/subject/5382139/ ◎简 介 Conceived as a supporting short for its theatrical release and forever since screened together with the same director's legendary L.A. PLAYS ITSELF, the barely over half an hour SEX GARAGE can rightfully be considered an unofficial third movement to that film, even elaborating on themes touched upon therein. If that film cruelly juxtaposed the evil that men are capable of inflicting with the purity and innocence of nature which the human race has carelessly squandered and destroyed, this astonishing black & white featurette - amazingly shot over a single day - takes matters yet another step further with an implied as much desired immersion with modern technology as one character attempts to make love to his motorcycle, inserting his rigid member into the exhaust pipe and tenderly rubbing his copious ejaculate into the upholstery ! Both the freewheeling cinematic style – frequently favoring extreme close-ups of both machinery and genitalia – and the iconography of high speed vehicles and their leather-attired drivers, not to mention its kick ass soundtrack alternating girl groups with classical music and appropriately soulless synthesizer bleeps, align this featurette with Kenneth Anger's revered cinematic patchwork SCORPIO RISING. Cast members are anonymous and unfamiliar. Both Bijouworld and John Rowberry (as editor of the 1991 Adam Film World Gay Video Directory) list Paul Barresi and the late Bob Blount, who died in an accident shortly after completing the Joe Gage classic L.A. TOOL & DIE, as participants – who copied from whom ? – but I can't vouch for either one as even repeated viewings have kept me from anything resembling a positive i.d. Opening on the (literally) titular garage, a cherubic young mechanic receives oral favors from his hippie chick girlfriend (who, at least according to IMDb, just might be carnal cult cutie Eve Orlon) who subsequently spreads for what amounts to a good ten minutes of straight sex. Intercut with this is a gorgeous upper class brat - with a world-weary mien straight out of DEATH IN VENICE - sensuously soaping his hirsute torso and pleasingly packed nether regions in the shower, camera temporarily zooming in on a note (along with a casually displayed $100 bill) to take the car into the garage to have it "greased up". Oh yeah ! As he drives up, the girl exits with a mix of fright and the existential realization perhaps that her presence is no longer needed - indeed, inopportune - in Halsted's idiosyncratic private universe. Picking up where the lass left off, Richie Rich is casually humiliated and submitted, first by the mechanic and then by a long-haired, Jesus type biker boy stopping by. Apparently tiring of his human sex partners, for whom he displays but strained ennui, the biker ultimately prefers the company of his revered cycle instead, licking and kneading as he works himself into a fevered frenzy culminating in aforementioned penetration. As with much underground cinema, this synopsis can't even begin to do justice to the actual experience of viewing. While unversed in traditional cinematic technique, Halsted was rapidly developing a signature all his own through vibrant 'n' jittery hand-held camera work and wild zooms instilling significance into seemingly random objects that was ahead of its time. Though much of his subsequent directorial output proved dire and unimaginative, his last film BREAKER BLUE a dispiriting mess, his cinematography remained fresh 'n' exciting, especially when working on other people's projects, usually his longtime lover Joey Yale's film-making efforts like TRICK TIME. By far the most distinctive dirty movie director to hail from California, Halsted had drifted through a variety of odd jobs before trying his hand at film-making. Popular rumor has it that he worked as a gardener to Vincent Price at some stage, the feverish fairy imagination expanding on Fred's horticultural duties as to include play for pay bedroom antics with the fading horror icon ! The resulting resentment for the "ruling classes" may have inspired the rough treatment that befalls the rich kid here. Be that as it may, Fred's life decidedly took a turn for the better when he met and fell in love with Joseph Yale in 1969. "Poisoning" his legitimate career by enthusiastically participating in his Svengali's matching all male masterpieces L.A. and SEXTOOL, Yale remained Halsted's partner in both life and labor as Cosco co-founder, established on Joey's urging to gain more control over their work and its revenue, much of which had disappeared into the wrong pockets until then. Virtually unheard of in a pornographic milieu, without distinction between the straight and gay sides thereof, they proved inseparable until Yale's passing, with Halsted electing to join him by his own hand shortly after in a gesture equal parts poetic and pathetic. Does it make me a sentimental sap when I admit to hoping that they really did rejoin forces in whatever constitutes an afterlife ? If so, color me corny !
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发表于 2023-11-29 18:08:33
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